前身是皇軍軍(jun1 )港(🆓)的吳港,戰後成為船(chuán )塢工人的生(shēng )活(🕟)煉獄。在(🕰)資本(běn )家剝(bāo )削和(🎗)枯燥生活(huó )的(de )(🛤)雙重煎熬下,躁動的年輕生命(👋),一頭栽進暴(🏇)力漩渦,延擱成長,終(zhōng )日在打(dǎ )(🗄)鬥、賭(dǔ )博、酗酒中尋找(🥄)暫(🛹)時(🚉)的麻醉。吉(jí )田喜重通(🥞)過工(😚)頭之眼,對不合理的(de )社會(huì )現(xiàn )實作(zuò )出欲(💞)迎還(hái )拒的批判,被視為(wéi )日(rì )(🚨)本新浪潮代(🔢)表作(zuò )之(zhī )(🦗)一。香山(㊗)美子飾演(yǎn )純(🙂)真的(🔝)酒館女(nǚ )待(dài ),同情工人卻慘被強(qiáng )姦,正與負的(⛏)能(🥫)量,在大時代中(🕙)比拼互(💠)滲,可有(yǒu )超越對與錯,是與(🤖)非的位置?片末火車(💝)站(💹)送別一場,在家(jiā )(💍)和社會之間,吉田(tián )喜重(⛏)作出了左(zuǒ )翼(🃏)的選(💅)擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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